Sound Production Company
MUTE
recording
Sonic Solutions at Any Place

Production Sound Mixer &
Location Sound Recordist in Bali

Available for Travel
WhatsApp: +6289663514848
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Doing Film Sound for narrative content is one of the most challenging types of productions to do sound for. Made possible by working with a full team of a Sound Mixer, Boom Operator, & Sound Utility, we capture the film's sound on location during production with boom mics, wireless lavaliers on talent, & plant mics. In addition to recording discrete isolated tracks, the sound department is responsible for sync, providing a reference mix, IFBs, & coordinating with other departments to solve problems on set.
Most documentary shoots consist of sit down interviews, verite style shooting, and b-roll with accompanying natural sound. Since interviews are the backbone of the story in documentary style video content, capturing clean dialog is of the utmost importance. I love employing tricks to tackle the challenges of working in less than ideal shooting locations such as extreme background noise & reverb.
Commercial shoots vary a lot in content and scale, so it's essential to be flexible enough meet the commercial's sound requirements whether it's lines to camera or complex one shots with a lot of moving parts. I've done many commercials with a wide range varying complexities in workflow; Often including high channel counts, timecode audio playback, timecode boxes & hops on cameras, IFBs (For Clients, Agency, Producers, & Directors), timecode slates, and much more. Let's discuss your project's specific needs today!
ENG & Live TV production requires the experience to make sure things go right the first time, because there are no redos. News gigs often consist of one or more correspondents in the field talking back to a television studio via an IFB (often over a phone line) & a mix fed through the camera back to the tv studio. Many locations like sports stadiums require RF coordination to operate within them.
Musical artist performance videos have become a popular way for brands to build awareness. I have the experience to capture each instrument cleanly while minimizing bleed for other sources goes a long way towards quality. Music has a lot of harmonic rich sources that can obfuscate each other in the mix; Based on the context of the source, style, instrumentation tonal & aesthetic choices in the way it's captured need to get made. These choices will have one of the biggest effects on the end results.
Reality shows are fast paced and all about capturing moments in real time. To make reality shooting style possible, the workflow typically involves high wireless count (such as talent mics, hops to cameras, & producer IFBs). With the long take "always filming' approach of reality TV, timecode and genlock sync boxes are typically used to maintain long term sync.
Recording sound for comedy specials aren't just about capturing the comedian, but the audience in the room as well. Having done a number of comedy specials, I've got the experience to deliver high quality production sound for this unique style of production. With comedy specials typically having high camera counts and long takes maintaining multi camera & audio sync is essential. There is a lot more that goes into it then simply recording the show, Here is our approach!
Films, Music Videos, & Commercials often need audio playback to match performances to music. Scalable PA speaker systems and playback files striped with timecode fed wirelessly to a smart slate to flash camera as a sync marker. This makes sync in post incredibly simple even when shooting on cameras that reference mics can't be used with (like the Arri Alexa Mini).

About MUTE Recording

MUTE Recording is a Production Sound & Location Recording Company based in Bali, Indonesia. We specialize in Audio Supervision for Film, Television, & Commercial Video Productions. We offer refined production sound through extensive experience & pro-grade sound recording equipment. As well as Postproduction Audio Services such as Sound Design, Re-Recording Mix, ADR and Voice Over.

What We Do
Recording Sound is our passion, not just a job. With every new client we're getting a new level of professionalism & quality and deliver complex approach in major areas of Audio Engineering to every project we work on. We can help to know what exactly is needed from recording stage to take into the edit, saving time and expenses on production and post.

Who We Are
This has taken us everywhere from going on location as a sound recordist for TV to recording in the studio, and sound design & mixing video projects. Whether it's Feature Film, Documentary, Commercial, or with a Musician, eventually it's about capturing a mood and transferring our listener to another time & place.

From the Founder
Having more than 10 years of sound engineering experience, I ensure the job gets done right the first time. When you hire our team you can expect quality through competence. Along with our comprehensive knowledge and skill, we can set the equipment to handle projects of any caliber.
Nobody would even notice a great sound, it goes smooth
But the bad audio is always gonna stab your ear
a Good Director

Who is Production Sound Mixer?

There are two types of sound mixers:

  • Production Sound Mixer a.k.a. Location Sound Recordist, Production Sound Recordist, or Location Sound Engineer
It's the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment has a wide range of responsibilities:
From Recording Clean Dialog, Ambiences, & Action Sounds, to Wiring Talent, Ensuring Audio & Camera Sync, Creating a Mix, Logging MetaData, and much more. It takes a lot of experience & an extensive knowledge-base to draw on to provide exceptional location sound recording services for video productions.


  • Re-Recording Sound Mixer a.k.a. Dubbing Mixer
It's a post-production audio engineer who mixes recorded dialogue, automated dialogue replacement (ADR), foleys, sound effects and music to create the final version of a soundtrack for a feature film, television program, or television advertisement. The final mix must achieve a desired sonic balance between its various elements, and must match the director's or sound designer's original vision for the project.They typically work in teams of two or three.


As a production sound recordists in Bali and having legal working permit we're allowed to work on any motion picture or commercial productions in the main island area. We are in good standing with other local production companies and rentals. We can work as a local in Bali, or as an out of town hire for productions in other provinces, with permission from their officials.

Why hire MUTE for Production Sound?
Our work shows our passion for high quality sound, we love deploying creative solutions & overcoming challenges to deliver quality audio despite each shoot's unique challenges. Drawing on more than a decade of audio production experience, we bring a depth of knowledge more extensive the run of the mill sound mixer. Having experience in recording studios, with post-production, classical music recording, live sound reproduction, & much more. We love unique projects and the challenges that come with them.

Contact us:

Production Sound Mixer and Recording Engineer in Bali

Ubud, Gianyar, Bali, Indonesia
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